Dutch language

How to pronounce white noise in Dutch?

Full Transcript

[Music]
hey guys what's up I'm Zdenek we're here
in my studio in Breda and today I'm
gonna take on the slam studio challenge
medium meaning I'm gonna try to create a
track in just one hour never done this
before I've no clue what I'm gonna make
but yeah yeah let's get started so
usually when I start a song I can start
with just a simple kick drum and for
this project let's say we're gonna we're
gonna try and start on 128 BPM which is
like that the normal dense bpm it's
actually where yeah I kind of produce
all my tracks in that BPM it just works
where you will it's easy easy to mix for
all the DJ's out there because you don't
have to picture that much and yeah there
are like two things you can start with
either a drop or a melody sometimes
really easy I have like melody pops in
my head when it well I'm in the shower
or whatever I recorded on my iPhone and
that's um sometimes the way to do it or
I can just start by playing again a
little bit and I think for now that's
what I'm gonna do because I didn't
prepare anything I'm using Logic X by
the way I started with Cubase then work
my way onto Logic Pro I still have it
over here by the way but now yeah
everyone's using Logic X so it's easier
to collab with and of course it's 2016
so you want to be on top of your game
all the time all right we have a kick
drum which is yeah I actually always use
the same kick drum because it's it's
part of my signature sound it has to an
attack that I really like and of course
depending on on the the key of the track
I only change like the the low
frequencies of it so right now I think
let me see I gotta have a tuner for that
yeah this kick drum is in G but actually
it doesn't really matter in which key
your kick is you just have to listen
with your ears I think that's still the
best advice you can give you because
sometimes my kick drum is not in the
right key and it still just works really
well so that's just a matter of yeah
listen to your ears alright um I think
I'm gonna start by working on a drop
melody just going to use Nexus for it
next is really easy to use it has some
amazing presets they all sound like
super clean already so you can have a
really good idea on what your song is
gonna yeah gonna sound like and of
course all the tracks that I make like I
start with a preset or something that I
made myself and I just modulate
everything so that meaning by that like
I put distortion on it echoes reverbs
everything just to make it sound unique
and make it sound better than it than it
is already
I'm just gonna gonna work with this
sound to come up with an ID
[Music]
so actually what I'm doing I am NOT a
piano player I just learned it myself by
doing it by producing music but I what I
do need if I'm if I'm no clue if I have
no clue what I'm doing in studio I just
or what I want to make it just yeah play
a little bit like this just to find the
right keys
actually the sons
quite fat already so if I know like what
kind of key I'm working in I'm just
gonna make it she's gonna pop up the the
piano roll which is where I'm gonna draw
all the keys I just played which is for
me I'm I need to see what I'm doing yeah
that's just the way I work but if you're
like a really cool piano player like
Beethoven or something be my guest
and I always need a kick drum as well
just to get the feeling so I know what
I'm doing that's my computer freaking
out
[Music]
it doesn't sound really fat at all
at the moment a really cool plug-in to
use what I use all the time to make it
sound more distorted and actually by
using a basic preset you can really make
a different sound
[Music]
I like this one actually you can play
with the dry and wetness so you can miss
the sound where I started with this is
what it going to sound like obviously
right now it's not sine shaking it so it
doesn't have that it doesn't duck at the
moment the kick drum is playing I always
sidechain with a separate bus meaning
you can control everything more so
usually I sidechain my bass sounds and
my lead I sigh genom separately that way
I can mix easier and a while finishing
track side-chaining is really easy to
use the LFO tool by xfer I actually got
some presets here here to drop Zdenek
you can actually see what you're doing
you can see where the kick drum is
working so right now this is just the
attack of the kick which is coming
through and then the rest will just
wrestle is just a turn so this is
without
[Music]
[Music]
maybe make it shorter
[Music]
it's not totally I want to be
you
[Music]
sometimes we're making notes shorter you
can get more speed to it actually I
usually turn off the building reverbs
and delays of the Nexus because I just
don't like them that much a great reverb
to use is a free plug-in called Fela
holla I use it all the time you can just
play around with it just with the
default setting here it has a really
crispy sound that I really like and II
cueing most of the time I just used
building EQ of logic and want to do
right now I'm just getting rid of a few
of the lower frequencies that are in
this lead as you can hear
because I want to fill those frequencies
with a separate baseline that I'm going
to add later and what I really like to
do and you go to modulation here you can
add some glides to the notes so right
now it's all like playing a simple
version but it's cool to have the notes
glide to each other but not too much
maybe
[Music]
okay and this is I'm gonna make sure
that it's will be interesting to
Lister's you can actually hear the nose
gliding to towards each other is kind of
cool but the sidechain is a little bit
too much
oh just going to move a few notes like
this
[Music]
[Music]
okay I usually I make a track yeah like
in a few days like the structure of the
track and melodies and stuff and
sometimes it can go up to a month before
I'm super happy with it so I'm like a
perfectionist when it comes down to all
the details there's specialized effects
or maybe some goofs that I that I make
interacts as well so for me it's
actually really hard to make a track in
one hour but just let's see where what
we're getting here I'm gonna add a
baseline because I just can't live
without a baseline and I think I'm just
I had a good good thing about lighting
by the way is that and what helps
building your own signature sound is
saving sounds that you use before and
try to use them in another way so right
here I have like all my own presets that
I save from previous songs like here for
instance Zdenek bass million that means
I did a Christian a million remix and I
made a bass on for it and it's just it
sucks super sick it's like super low
it's like almost Skrillex sound sounding
so I'm going to use that for this
bassline and as you can see I just pull
it up like that with all the plugins
that ain't over there
I got a multi presser here which
functions like a ot t & OTT is uh like a
multiband compressor which can make you
sound more yeah even better yeah but
this is a little bit too low for it
and if I make a base line for it you
have to make sure that all the notes are
not like playing all the octaves up and
down we need to bring them together a
little bit more because otherwise it
just won't sound fat so you get this
actually this is just a rhythm
so in this case the baseline follows the
the lead sound I'm not sure if I'm going
to use the yen but still for me
you
what I also like to mention is that I
never use a master channel so the only
thing on my master right now is a game
which is - 1212 we beat it but that's
because we're recording this and we
don't want the video to sound distorted
so yours you're actually mixing
everything without a message chain so
you're that's why I'm making sure that
everything sounds as clean as possible
before I marry them I I never even
mastered I just do like a few yeah like
an end compression a little bit and
maybe a little end a queuing but that's
about it and this sounds already like
super sick but that's just because
there're only like three elements I say
less is more I think okay now we need to
layer this sound a little bit more
because it sounds like sounds a little
bit wack I'm just going to use another
next I just actually duplicated it just
gonna look for more cool stuff to use
that's a book typos I don't know
[Music]
actually a bass sound would be better
let's see so face
[Music]
no trash again magic but it needs some
EQ as well just add some crispiness to
it I'm just going to EQ the out of
it just because yeah because I can it
works all the time yeah there are no
rules like a lot of people say no no you
can't EQ something you can add no more
than what 40 beats not you can
EQ just how much you like it just sounds
a little off and distortion is yeah
overdrive in this ways is a plug-in to
add distortion to your song or to your
to your lead in this case I just add
some aggressiveness to it
[Music]
and I forgot to add the glide to it
that's why it doesn't sound like one
[Music]
awesome alright not afford it to make
sure that we're gonna make it in one
hour I'm just gonna start working on
some kind of a breakdown real quick and
what I always do is I use the top
milliliter I just made for the drop art
I'm just getting a regular piano because
if it sounds sick on a piano then you
can add a different different sound to
it and it will sound okay as as you make
it let me see where is hope just gonna
the sampler in logic and then we have
something called GarageBand here we have
like all like pianos and harps and
everything it's just a regular piano no
FX nothing I just want to hear what I'm
doing
just going to love it avoid this one so
I can hear what I'm doing so I'm going
to just solo these two
I actually like that but I think you
should go for something
and this way creating courts I always
start with the base notes so with the
lower notes and because I really can't
play chords on a piano but I can do I
know I works but the same thing goes for
here like I need to see it so I'm just
going to draw so the first step is for
me always like find the base note so
yeah I go to e also right now the key of
this track is C what is it English word
for it but actually is this black key
here G sharp that's it
and a lot of producers always start with
the first with the basic the base key of
the whole song but in my opinion is
cooler if you start with a different key
that people won't expect so you get a
different harmony because it would be
logic to for me to just start with this
because it's the base note but in this
case I think e is cool I get some more
Jack just adds a different v to it oh
this is logic acting up again all right
and I know logic is like for the piano
roll like I really prefer Ableton but
I'm just so so used to logic that I I
can't work with something else anymore
you
I know you you would expect me to go up
again but in this case I think this is
cooler
just adds more emotion to it an emotion
is always good but this just sounds
really plain and not cool enough so
we're going to add more chords let's
start with this one on top of it usually
four chords were really easy you can
work with starting with the basic plus
five which is like a Quint or plus seven
but in this case this won't work as I
switched up
it does but I want to add something
different
ah there we have like the tears in the
eyes I just I always play around with it
as just till I'm satisfied with it yes B
yeah could be
see where I'm going it's always a good
beginning but this is not a yeah it is
Accord its there are all queens but I
want to make a chord out of it so just
add one more note to it and then it's
going to start wait am i right now yeah
HD sharp I hear everything
you
yeah this is going to start with but
this key here it's going to be an F word
and it's actually not in the spectrum
but I think it's going to sound really
cool she's going to make it sound more
interesting to listen to because it's
not what you're expecting to hear just
make it
see that's more body to
that's too low for this piano but
anyways I think we have a good start but
I'm not going to use this for the
breakdown because it's already in the in
the lead sound of the drop so I'm just
going to add another melody to it and a
really cool PST that I like from logic
again is the sculpture it has some
really freaky like industrial sounds
almost and I use it all the time it's
like I don't know yeah
Industrial is only way I can put it
maybe add a block sound it sounds a
little little Asian some kind of Kashmir
Sun and you know it's called namaste as
well
[Music]
this one is cool I'm gonna add a little
bit more reverb to it with the fallout
it sounds more open more wider bigger as
well and for a breakdown that's why I
like and then again
[Music]
okay using those notes sounds cool so
I'm just gonna get my piano roll again
and start maybe start a little bit
higher
alright just gonna draw them in again
[Music]
and everything helps to to create the
yeah good feeling in the tracks
[Music]
that's cool so it it finishes off the
the repeating of the of the notes and I
think repeating is always good because
it's easier to listen to it's easy to
remember it so and obviously we need
some low frequencies in there and that's
really easy you just grab your your
chords that you made or the bass sounds
where you start with just delete the top
part of it and then you have the sub
part for your trick I'm gonna use the es
too I guess
just see your base we got some SNA that
sounds cool
[Music]
that's a little bit too low my supper
for you what I like about this base is
it's like a UK garage base like really
wide the only thing we need to do we
have to cut the high frequencies in here
I would say like until all 200 so it
just it's like what you hear and I like
reload for instance like the Swedish
House Mafia doing it looks like a really
wide base I just add so much energy to
look to the whole track so when I play
together it will sound like this
[Music]
and then of course we're going to add
the EDM trick of the year it's by sugar
bytes called the effect tricks and what
it does you can actually do lot of
cool tricks with it you can reverse it
or in this case I'm going to use the
final mode which is here and what it
does you can see like walking around
here it's playing here and then I want
to have like a final stop so I'm going
to final then you have some yeah you
have slow stop or really short so this
is in my opinion it's it's too short we
want to have a room slow stop which goes
[Music]
maybe I say there's a start over here
bye
so you get it like a really natural like
final stop and it gives a really cool
effect flavoring one big advice that I
can give you by doing this they you
always have to make sure that I look at
the analyzer and when it stops it
actually it just goes down so here here
is the frequency you see you get a
really big boost around the 20 Hertz
that's something you don't want to
because it's just gonna it eats all your
dynamics so you want to make sure you
cut it around like 50 Hertz this way you
don't need the low frequencies they
still have the you can still hear the
stop doing his job
alright um let me save this one my way
yeah okay so now we have we have a
melody at least we have like something
that we can work with we have like a
really simple drop for now
doesn't sound as fat as it should but
that's not for now we can we can finish
that later we can add some more leads to
it some more layers to thinking of the
sound but what's really important for
now is I'm going to work on the
structure of the track and structure is
really important because this is what
what's yeah you don't have to decide if
it's going to be a radio track or a club
track a club track needs a longer
introduction and a longer outro as well
so I think for now I'm just gonna Park
this I'd say somewhere here we want to
have like a intro that will last let's
say one minute
so at bar 34 you can see it over here
that's where it's exactly one minute
that's with the side channel so what I
always do I make a quick structure we
want the drop to last for 30 seconds and
what's really cool with the logic you
can press L and your sample will just go
on forever and by doing this you can
easily like you don't have to copy and
paste it all the time same goes for
those guys over here so right now this
is just me putting the structure
together
no FX no claps no high hats nothing
going on this just instructed
you
[Music]
and I'm from here on as you go into the
into the courts a court section we want
to make sure that this breakdown lasts
for let's say another minute
so with 1:30 and we have 8 bars
16 bars 32 bars and then over here we
want to have 2
so I'm actually it's like a puzzle I'm
actually making sure it at all that
every in every eight bars something is
happening what I'm going to do that
later so this is the structure of the
track we're going to have 30 seconds of
drop 1 minute break down with build up
somewhere around here so we're going to
we don't need those there this is going
to be a big build up this is going to be
the second drop art and we're going to
need an outro of another in 30 seconds
because when you start mixing in on the
drop then all day I have enough time to
end of song all right so what I always
do
this is my kick drum we don't need this
anymore I'm gonna add a low-cut we're
gonna cut the kick drum like 100 Hertz
so you only have the attack and a little
bit of the mid the mid frequencies there
so that's just it's nice to mix it in
there are no like banging frequencies in
there because you just you're in the
introduction you don't need them yet
then we need some claps some cool stuff
I actually have my own sample pack as
well so some claps here that I use all
the time but I always layer them so it's
just kind of nice here for instance the
clip that I this is the Zdenek clap it's
called pipeline because that's the track
that I made in 2012 so it's been awhile
and I still use the clap because it
sounds really clean and I like like a
small clap and what I did with this clap
as well that's really important it's not
interfering with that Jesus with the
attack of the kick drum so when i zoom
in you can see that this is actually the
attack of the clap over here and I put
the club right in the middle so here's
the attack of the kick drum and it's
actually at us there's a little attack
here but it doesn't interfere with the
attack of the kick because here is an
empty space so it just sounds nice and
wide and it sounds really really clean
already and I didn't do anything any EQ
Anor whatever just going to make sure
that the kick is always the loudest in
the mix again that's that's kind of yeah
it's a taste thing I guess some people
like the kick to be less aggressive but
I like the kick to be up
you can hear that in my and all my
tracks I guess alright so let's start
with this clap we want to have the clap
in introduction and after 30 seconds
we're going to introduce the low
frequencies of the of the kick drum so
right now I'm just working really fast
usually takes me a while to actually be
happy with everything but this is for
the sake of the challenge this is just a
bypass so I have the low cut right here
and this is where I say okay here you
have to bypass the single EQ so right
now it goes off here and there's the
full kick drum again so this is the part
where the DJ should mix up mix it over
we need some shakers or some salutely
maybe some claps that sounds good some
claps to fill up the high frequencies
this is very 4:04 maybe we should make
it more interesting switch it up a
little by putting one here so you get
like more rhythm already
like that and I make a folder out of it
so I don't need to touch it anymore so I
can just use that L button again they
were the loop button actually simple it
already sounds good maybe add some
special effects here we got out some
effects to fill it up a little here we
got a cool pension sample called Swedish
ethics always this job um a snare fill
looking for a snare fill to introduce
the drama
struggling to find that cool drum oh
okay where I'm not going to make a
drumroll right now I'm just going to use
something from a sample pack that's why
I use the search function here it's
really quick and easy just want to make
sure that we're going to finish this
track in time some white noise is always
cool to use we can actually introduce
the lead sound over here but then just
I'm going to cut it right here so you
don't hear the whole melody of the drop
this is just part of the introduction
building the building of the energy so
it will just hear
[Music]
like that and then another cool thing
neeki uses they're cut off from the vc
itself or either away you're using
silent for instance or Nexus and the
cutoff is just actually just a filter in
school and I'm gonna I'm gonna automate
it and automation is you're actually
drawing what this knob should do so I
want this knob to go up all the way to
let's say like number 225 over there or
maybe all the way till when the drop
hits just to build that tension but I'm
gonna this is the starting point and let
me see then I have to enable the touch
button so everything I touch right now
you'll see it happen over here so when I
play it now this line is going up as
well
[Music]
meaning I don't have to do life so all
right so now I can actually precisely
draw what I want this knob to do so I
want it from here I'm 30 seconds on to
introduce himself by filtering it
[Music]
this is Major feel because this drum
roll is not 128bpm as you can hear Oh
[Music]
anyways now we need to make it more
interesting we need make it more bigger
I'm going to use the follow hollow
shimmer for this so what I do I just put
this on zero and what it actually does
is giant
[Music]
really really big me purple sky
yeah how to say it it's going to add a
lot of tension to towards the drop so
I'm just going to go into my automation
go to Valhalla shimmer the wet and dry
so from here I wanted to kick off let's
say it's all here and what it does you
can hear it
it's actually like it's going to be
sucked into this giant hole or something
[Music]
now we need let's say some cool
uplifters going to use vengeance for
your ethics hit up lifters down lifters
impacts maybe we had an impact that
sounds like a major impact that's
perfect
we're gonna edit here because all right
now we go up laser and by selecting the
size here I know if it's going to be
like an uplift or longer than just two
seconds because I want
[Music]
just going to add this one that's even a
longer one which is cool I need to make
sure that it's stopping at the right
moment I want it to stop right here just
going to cut it and we need to make sure
that it's being sidechained
because the kick drum is playing in this
part and it's already also if you ever
ething so even in queueing all the low
frequencies from this FX
[Music]
[Music]
and then I forgot to open up the filter
[Music]
I'm going to just add the CLEP over here
the clip from the beginning this makes
it a little bit that's the only thing I
can work if it's if it doesn't sound
right or the way I wanted to set the
sound so I'm always while I'm producing
I'm always making sure all my levels are
like okay I'm going to add the same
uplift to here again but I'm going to
make sure that it it's not because this
drop is just 30 seconds and the whole
uplift is 30 seconds as well going to
make sure you won't hear is hear it as
good as in the introduction of the drop
so it's just it it's there but it's not
on the foreground it needs to be on the
background I also like that maybe even
more let's say I started from here
[Music]
[Music]
[Applause]
okay that's a little bit too much for
you okay now we have to work our way up
to the the melody in the chords well
it's cool to add like some kind of slant
legs
of course it's slam of eggs because it's
super nice here it's gonna pull you into
the breakdown okay now from here on we
want to have the chords playing and as
you remember it I started with just a
piano but maybe it's cool to add to add
something different so I'm going to open
[Music]
sin master this is a feast II that I got
from Martin garrix or at least I know
he's using it a lot and some really cool
sounds in it and I just opened it this
is the first preset
consents the water girls in there
I was really dreaming but we want maybe
something arpeggiated up radiator means
it will it will not play just a notes
but it will add some kind of total
dududu some kind of random order into it
I will show you like so it's playing
them it's playing the chords but it's
doing all those small mouths itself
I just got 10 minutes left
holy okay that's okay then I'm just
gonna be quick some bells here that's
what I mean it's it it's not really easy
to finish the track in one hour but uh
high school okay no need to get this
filtered I'm gonna use a high cut to
introduce it so let's say okay filter it
in come on oh and a good thing about
Logic Pro it saves everything so
whenever it is gonna uh oh stay with me
here we go so it's actually have now
it's on right now I don't know maybe
it's the SID master all right
[Music]
here we go then we get the brake board
[Music]
and then from here all we want to
introduce the top melody we're going to
do the same thing going to make sure
that it's filtered ins so it's not like
a same thing automation going to sing
like you frequencies boom introduce it
like that so over here
[Music]
you know what you there and what I want
to do now is show you guys really fast
how I do like the major big sins
breakdowns starting from here because
it's actually really easy you're gonna
cut all the chords and we gonna make me
hope and I just need a different sins
you do it with gonna use a preset for
this wait where is it up
Frank resource it's also very cool I'm
just gonna make some kind of a groove or
rhythm with this
[Music]
all right now and now the trick is
getting those big big sins is just
layering everything with actually
everything you can find works really
cool just to make some here some classic
trends leads always work because there's
sound a big already
[Music]
and then we want the base to play as
well also we a different base out for it
the dirt now that's not the right one
enter their life just reject this is the
[Music]
yep it's the right one but because the
notes are so small you don't hear to
base so we need to okay and we'll sound
a little like this
[Music]
[Music]
but I'm not happy with this yet usually
my my layers are like maybe like five or
eight just to give that big big feeling
to it
[Music]
another cool plugin that I use all the
time which gives that edgy feeling is
the novelty character in other words it
gives a character sound to your since it
can really boost the high frequencies
without yeah like your ears please now
we need like some kind of full
[Music]
and here we go we're just gonna copy
this and maybe even at the clips from
here on in some white noise oh here we
go some cool Skrillex sounds over there
oh wow okay that's not working I'm
getting stressed out actually we're not
going to finish it okay yeah perfect
white noise psyching
[Music]
[Music]
not actually is really easy to just copy
this part into the bill of weight and to
me the second drop always needs to be
the biggest drop just gonna gonna make a
really quick just going to copy all this
place it over here
yes copy same goes for this one
[Music]
and now we want to introduce this part
again make sure it is
and I want to introduce de I want to
make it drop like this maybe add a
little as fixed to it some white noise
again
[Music]
and I totally nail it no nuts
[Music]
[Music]
maybe actually just introduce the whole
thing over here and what's really cool
or easy to make like a flourless
introduction it's just to stretch these
and make sure that you sustain this
court that needs a lot of emotion
obviously because right now it's just
the volume is going crazy
[Music]
okay the drop sounds like what the
idea is there this is just a basic idea
and then obviously all the sounds and
you need to get like need to be
modulated to start to make it sound cool
maybe even layer it sometimes I can
actually just throw it all away start
over with a with a brand new drop um
but yeah in just one hour this is only
thing I can do for now it's actually
been a real challenge I'm happy that I
actually have like a structure of a
track but I'm not I'm not sure if I'm
going to finish this one but let me know
in the comments if you want me to finish
it
[Applause]
there are no extra effects not nothing
just because of the time we had but
usually I will I will fill this up like
every eight bar something is happening
just to keep it interesting to listen to
[Music]
[Music]
yeah making it back in one hour was
really challenged so for me usually the
idea starts yeah no idea starts within
an hour but then all the at the extra
elements the way it sounds that usually
takes up all the time yeah sometimes I
finish the track in three days but
sometimes you take it
[Music]
[Music]
[Music]
that's it
it sounds like my first Sony but you
know the idea is there
[Music]
[Applause]

[Music]

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white noise::noun | Spocien Dictionary

white noise

noun

/hwaɪt_nɔɪz/

a noise produced by a stimulus containing all of the audible frequencies of vibration

Type	Words
Type of	disturbance, interference, noise

white noise is a good masking agent.

How to pronounce white noise in Dutch?

white noise::noun | Spocien Dictionary

abandonment

Related words

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