Italian language

How to pronounce paid in Italian?

Full Transcript

and today I try to tell you a
short story the two worlds of royalties what
two worlds mean and royalties in one
world we have the record shops
the spotify online stores the vinyls
in the other world we have the world of
professional users those
users who pay that
events are organized perhaps and that
monopolists pay both in Italy
to use music for
professional purposes are two
completely separate worlds you know
well the world of online store records
what you often see in
print but there is a peculiarity that
clearly differentiates these
markets these two worlds one is free
market and the other is a
monopoly market in almost all of Europe
so on the one hand we have a market
in which people struggle to emerge they
struggle to offer a better service
and on the other hand instead we have some
large national companies that enjoy
monopoly privileges let's see if it
has sens or this division we see first
of all the magnitude of this
market the monopoly market that a
market that you never read in the press
and it is a very large market and we are talking
about 5 billion in europe a flow of
money managed by monopolists each
nation its monopoly and we will see
why there is a lot to do
to give you an idea
of the background music market there is that music that
ou listen to in the supermarket while you s
op and a billi
n euro market in Europe and the same value more or le
s of the hiv market
then think that money flow
managed by monopolists
we try to understand what
these monopolists do every
time a professional user pays
a royalty to the monopoly this
monopoly distributes to the rightholders
who are actually registered in the monopoly
already this is strange are monopolies
but registration is optional an author a
publisher is not obliged to subscribe to the
siae it is optional to the i
therefore we have a monopoly that
collects by right from the user and
that distributes to their rightholders
who are registered
today they told me that there is a
performance here at the end and
that performance was rightly
paid for both and for those eight minutes of
exhibition and it is paid to the monopolist
let's try to understand better these
monopolists do the monopoly registration
as I said is optional but
in fact it is the only choice because if it is
true that it is optional but if I want to
be paid for my performance that
is was used by a
professional user in fact I have to be
registered in the monopoly otherwise who pays me
and the interesting thing is that
the registration in this monopoly is not
free and paid and 60 percent
of the members of this monopoly do not
even recover the tax annual registration,
i.e. I pay a
registration fee, I pay 100 120 euros and at the
end of the year I have not even recovered
those 100 120 euros to this monopoly which
in fact is my only chance to
let's say manage my royalties
but the most incredible thing is
that Italy this monopoly is
an association of authors and publishers but the
vote is per cent
what does the vote per cent
mean that the richer you are, the more your
vote is worth the richer you are the more your vote
is worth and by statute it is not such a thing and
by statute
therefore the rules of this monopoly the
rules of distribution of this
monopoly are decided by who is richer
now let's see a moment what happens
in a market in which there are 1 poles you
know well that usually the monopoly
leads to efficiency but in this market
they have really exaggerated in my opinion
because let's see what happens
for the entitled parties
first of all the distribution of the
royalties that are collected is not
an analytical distribution, i.e. you do not
pay according to what has
actually been played but you pay
according to the rules decided by the management
board ne of the monopoly that is those
rich people who had decided for all the
associates
so if for example a supermarket
here pays a thousand euros to the
monopolist the monopolist does not ask the
supermarket what is played but
shares with the royalties and that is the
remuneration of authors and publishers let's talk about
you compensate the authors publishers the money of
authors publishers it distributes it to those who
want and not to those who have
actually been played and above all it
distributes it with an incredible slowness
then think that the standard time to
pay an author editor who has been
played is about 18 months that is
you paid for this performance 8 minutes
in the end
those entitled to those songs
will receive this money that you
paid 180 euros French there is in 18 months
if it goes well 18 months you would accept to
do a job be paid after 18
months but more amazing things don't
stop there after you get
this money after 18 months you have
no chance to go to understand
why you received them because there is no
traceability there is no transparency and there
is no online account
i.e. you receive this 50 euro check
from television or
public performances but you cannot really
trace why these 50 euro were
earned and if cannot go back if there
is no traceability there is no transparency
there is a black cloud around your
knowledge and therefore if ignorant
the only thing you can do is complain
but you can't really do something if
there is a black cloud you do not know what you have
earned or what you have not earned
and then I leave you to say I let you
imagine that the users who
pay obviously complain because the
monopolist does not think about the users
therefore difficult payments
complicated payments and the worst thing is that the
payment is received as a tax
when you paid 180 euros this
afternoon for this performance you did
not think of it as a payment to the
authors of the songs that were played
and c he will be played and therefore as a
beautiful thing but it was perceived as a
tax and this is the worst thing
ever because we transform a fair
payment a fair compensation
for copyright into a tax now all
this has no reason to exist
from a technical point of view there is no
reason
from a technical point of view it is possible
for any use to distribute
these fees in an easy and
fast and transparent way it is possible to
monitor every single use of the
tracks in any use and give
a report practically in
real time in real time in which
any user any
person entitled can go to his
laner account to see
the music was played in rome
stockholm in perugia that is frankly it is
a sector where technological innovation
could
completely change the fate of the authors and
publishers because we we don't have to think
about that author, mega star editor,
we have to think about that author
publisher who every year makes 20 25 30 35
thousand euros that middle range that is
good for that middle range 5
thousand euros plus 10 thousand euros more
change life and therefore a
breakdown in an analytical way an
ability to see his remuneration where
are it would change his life I make you
understand in a fairly
simple scheme because a question let's
just say technological it's not a
question let's say legal it's not one
this is a question of technology
process efficiency
we have authors who
basically fire through
these companies
professional users then you should do
the analysis of what has been played and
pay the royalties is not science fiction
is not the ass the cure for cancer is
something absolutely possible and
why it was not done then why
why monopolies do not favor
the innovation and do not
fundamentally allow others to emerge
and then Europe at some point he
decided to turn the page in 2008 he decides
through the decisive decision that every
author and publisher can register with the
company he wants in Europe and does not
stop here because in 2014
to February 2014 he liberalizes
the market of the right of law forever throughout the European territory author and says
with great simplicity and clarity this
directive the barbier directive says three
things
every author editor who is free to subscribe
to the company they prefer in
europe
every author publisher is free to
assign different classes of rights to
different companies and each user
buys where he wants the market is
fundamentally free and he says it very
clearly but on the other hand how do you
think that in europe in the space of
united europe you cannot
compete from one nation to another and
then now in italy it would be
appropriate to change this monopoly but
what happens in Italy in the meantime
fedez said he would enroll in the siae one
week f a
la carrà and ligabue say they
want liberalization 300 innovators and
entrepreneurs write to premier renzi
for liberalization
a campaign that starts from the bottom
franceschini rethinks invades us web all
the parties propose amendments for
liberalization the minister
franceschini says I want the monopoly
we will stay to see what happens
thank you thank you

and today I try to tell you a

Toggle Transcript

paid::adjective | Spocien Dictionary

paid

adjective

/peɪd/

involving gainful employment in something often done as a hobby

Type	Words
Synonyms	nonrecreational

paid::adjective | Spocien Dictionary

paid

adjective

/peɪd/

yielding a fair profit

Type	Words
Synonyms	gainful, paying

paid::adjective | Spocien Dictionary

paid

adjective

/peɪd/

marked by the reception of pay

Type	Words

paid work.

a paid official.

a paid announcement.

a paid check.

How to pronounce paid in Italian?

paid::adjective | Spocien Dictionary

abandonment

Related words

paid::adjective | Spocien Dictionary

abandonment

Related words

paid::adjective | Spocien Dictionary

abandonment

Related words

Related

Subscribe to our Newslatter