El Lissitzky ultimately favoured Malevich's suprematism and broke away from traditional Jewish art.
From the en.wikipedia.org
At this point El Lissitzky subscribed fully to suprematism and, under the guidance of Malevich, helped further develop the movement.
From the en.wikipedia.org
Color Field painting is related to post-painterly abstraction, suprematism, abstract expressionism, hard-edge painting and Lyrical Abstraction.
From the en.wikipedia.org
After going through impressionism, primitivism, and cubism, Malevich began developing and advocating his ideas on suprematism aggressively.
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In development since 1915, suprematism rejected the imitation of natural shapes and focused more on the creation of distinct, geometric forms.
From the en.wikipedia.org
Lenin's tomb was designed by AV Shchusev, an architect involved in the constructivist movement and influenced by Kazimir Malevich, the founder of suprematism.
From the guardian.co.uk
Malevich also credited the birth of suprematism to Victory Over the Sun, Kruchenykh's Futurist opera production for which he designed the sets and costumes in 1913.
From the en.wikipedia.org
Suprematism at the time was conducted almost exclusively in flat, 2D forms and shapes, and El Lissitzky, with a taste for architecture and other 3D concepts, tried to expand suprematism beyond this.
From the en.wikipedia.org
More examples
A geometric abstractionist movement originated by Kazimir Malevich in Russia that influenced constructivism
(suprematist) an artist of the school of suprematism
Suprematism (Russian: u0421u0443u043Fu0440u0435u043Cu0430u0442u0438u0301u0437u043C) is an art movement, focused on basic geometric forms, such as circles, squares, lines, and rectangles, painted in a limited range of colors. It was founded by Kazimir Malevich in Russia, around 1913, and announced in Malevich's 1915 exhibition, The Last Futurist Exhibition of Paintings 0.10, in St...
A Russian abstract movement originated by Malevich c. 1913. It was characterized by flat geometric shapes on plain backgrounds and emphasized the spiritual qualities of pure form.
[suh-PREM-uh-tiz-uhm] A variation of abstract art, originating in Russia in the early twentieth century, characterized by the use of geometric shapes as the basic elements of the composition.
A Russian art movement of the early 20thcentury that emphasized nonobjective form.