The top of the triglyphs meet the protrusion of the cornice from the entablature.
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Above the capital is a square abacus connecting the capital to the entablature.
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Variants of entablature that do not fit these models are usually derived from them.
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The entablature and dais at the eastern end were also designed by D. M. Hahn.
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The use of the entablature, irrespective of columns, appeared after the Renaissance.
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The Doric entablature is in three parts, the architrave, the frieze and the cornice.
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The frieze of the Doric entablature is divided into triglyphs and metopes.
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There may be a section of entablature between the capital and the springing of the arch.
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The pilasters were undecorated, simple, and Ionic, and supported an undecorated entablature.
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(architecture) the structure consisting of the part of a classical temple above the columns between a capital and the roof
An entablature (Italian intavolatura, from in 'in' and tavola 'table') refers to the superstructure of moldings and bands which lie horizontally above columns, resting on their capitals. ...
A major horizontal member carried by a column(s) or pilaster(s); it consists of an architrave, a frieze, and a cornice. The proportions and detailing are different for each order, and strictly prescribed.
The upper part of a thick basalt flow, above the colonnade.
Entablature is the name given to a horizontal member supported by the columns of a building of Classical style, e.g., Greek Revival. ...
A horizontal, projecting group of stones immediately above a column capital. Consists of three major partsarchitrave, cornice, and frieze.
The area above an entryway in which the transom is contained.
The Greek revival style, the horizontal group composed of three members, held up by the columns. From the lowest to highest in a structure the three members include; architrave, frieze, and the cornice.
Entablatures are the uppermost portions of classical structures situated above a colonnade's capitals and consist of architraves, cornices, and friezes. Entablatures were first designed and conceived by the ancient Roman architect Vitruvius.